Floor Meijers (1980) creates portraits in various media.
Her recent works are composed of layers of photography, painting (watercolor/gouache) and digital image manipulation.

The starting point is usually a photographic image. In addition to portraits of the people around her, she uses images from various sources such as dating apps, family archives and news photography.
The portraits in advertisements, on displays in public spaces, on your phone, are ubiquitous and form an inexhaustible source of raw material to work with.
Manual image editing is a form of visual manipulation to (re)appropriate portraits.

The tension of the constant shifts from the private to the public domain (and vice versa) is a driving force in her work.

In addition to the individual portraits, she works on long-term documentary photography projects.
These time-oriented series emphasize the phenomenon of repetition and awareness of the viewer's gaze in specific personal relationships.